Dec 08, 2014
As I said in my review of When the Game Stands Tall’s theatrical release, the film combines two of America’s greatest religions: football and, well, religion. The film follows the story of the De La Salle High School Spartans, who held a 151 game winning streak led by their coach and Bible studies teacher portrayed by Jim Caviezel. When a tragedy strikes both the team and its streak, the players have to see what they’re really made of.
The disc’s 1080p 1.85:1 transfer is clean. Details are sharp down to the blades of grass and the worry lines on Jim Caviezel’s forehead. Colours are accurate and the heat haze in one scorcher of a game will have you reaching for a cold drink.
On the audio side, the disc provides English and Portuguese DTS-HD Master Audio 5.1 tracks and French and Spanish Dolby Digital 5.1 tracks. On the subtitle side, there are English, French, Spanish, Portuguese subtitles as well as English captions with descriptions for the deaf or hard-of-hearing. The surround tracks are put to good use and the lower frequencies are perfect for each bone-crunching tackle. The only thing that would make you feel more in the game would be if a family member dumped Gatorade on you after a win.
The disc does come with the usual staple of extras. We get audio commentary from director Thomas Carter, a “making of” featurette with interviews with the cast and crew. There’s a scene by scene interview between Carter and Coach Ladouceur, a series of deleted scenes, a featurette with second unit/football director Allan Graf and a look at the philosophy of Bob Ladouceur and how we would get through to his players and students.
If you’re into the film’s spiritual or sports messages, you may want to add this one to your library.
Nov 10, 2014
Last month, I took a look at Disney’s new release of Sleeping Beauty so it fits perfectly that this month I got a chance to check out the Blu-ray of Maleficent, the retelling of the story from the perspective of the fairy tale’s villain. I reviewed the theatrical release earlier this year.
The theatrical release was visually stunning and those bringing Maleficent home will be treated to the same quality with Disney’s 1080p, 2.4:1 aspect ratio transfer. The image is clear, and textures, whether they be wood, fabric or skin, are full of great detail. Bright scenes are colourful and vibrant, and dark scenes lose none of the clarity.
On the audio side, Maleficent comes with an English DTS-HD Master Audio 7.1 soundtrack and French and Spanish Dolby Digital 5.1 tracks. Dialogue is easy to understand in the centre channel and the surround channels are used to immerse the viewer in the story, especially in the battle scenes.
The disc has several bonus features such as the usual deleted scenes, a look at Elle Tanning’s love of the animated film, the creation of battle scenes, and a look at the costumes and special effects.
Angelina Jolie’s performance is fantastic and the disc is beautiful, so add this one to your library.
Planes: Fire & Rescue follows up on the 2013 film, Planes. This time around, racing plane Dusty (the voice of Dane Cook), finds that his racing days may be over and joins the world of aerial firefighting. The film also features the voice talents of Ed Harris, Julie Bowen, Wes Studi, Brad Garrett and Stacy Keach to name a few.
The flick’s 1080p 2.39:1 aspect ratio transfer is bright and colourful with just a bit of banding. The images are crisp with good texture details.
The film soars (sorry, aviation reference) in respect to its soundtrack. It comes with an English DTS-HD Master Audio 7.1 track as well as French and Spanish Dolby Digital 5.1 tracks. Voices are clean and the action is immersive, especially making good use of the low frequency channel for the roar of the fires and plane engines.
The extras package comes with deleted scenes, an animated short featuring Chug and Dusty as well as two other shorts, a look at the real planes used in firefighting, a couple of fake promos and a music video for “Still I Fly” by Spencer Lee.
If you’ve got little fliers in the house, you’ll do okay to bring this one home.
Oct 29, 2014
Actors Carly Pope and Jaclyn A. Smith (aka Jax) recently completed their participation in the Women in Film & TV Vancouver’s Actor Career Mentorship Program. I had a chance to speak with them and the program’s creator and director, Krista Magnusson, about the benefits of such a program.
Getting to the root of the matter, I asked Krista (Bloody Knuckles, Limitless, Beauty Mark) why she felt that such a program was necessary. The actors involved have agents and/or managers so what secret sauce can a more experienced actor bring to the table?
“At the beginning of your career or when you’re first exploring acting, your teachers and coaches can be amazing mentors and your agent can be a great source of advice,” said Krista. “At a certain point though, your agent really should be managing your career and not guiding or driving it, since you should be doing that yourself.” She herself had benefited from “wonderful and inspiring” teachers but those teachers and coaches don’t necessarily have the time to provide extended consultations in a one-on-one, personally-tailored setting. Since there aren’t many female acting teachers and coaches in Vancouver, she thought it would be very beneficial for female actors to be able to get career advice from someone further up the career ladder.
Krista had specific parameters in mind for the selection of mentors and mentees. Since the program was about climbing past plateaus and kick-starting a career, her mentees were required to have at least three years of acting experience so that most already had a clear idea of the type of career that they wanted to build. Mentee applicants had to outline three specific goals they wanted to accomplish with their mentor during the six month program. Krista said that the application also guided the applicants through areas the jury would be looking at, like industry involvement, initiative, ability to communicate well, and realistic expectations of a mentor.
On the mentor side of things, Krista and the jury were looking for professional actresses who already had strong careers and experience, women who had already successfully negotiated the issues the mentees were facing. Krista added, “Thankfully there are a lot of amazing female actors in Vancouver who were happy to offer their time!”
One of those amazing female actors was Carly Pope (Young People F*cking, Elysium, This Last Lonely Place) who saw the benefits of such a program and graciously agreed to be a mentor, saying that she agrees with a sage friend who once said that “the moment you start teaching, is the moment your studenthood begins.” I asked her if she had learned anything about herself during the mentor/mentee relationship with Jax and she said, “I truly believe it’s important to remain open to guidance and the possibility that opportunities to learn and grow can present themselves around any corner – irrespective of how it’s initially framed.” She was also thoroughly impressed with Jax, adding that “her eagerness, willingness, and ceaselessness to propel and remain in action is an incredibly refreshing inspiration.”
I mentioned that Krista started the program because she felt that there was a great need for it and Carly agreed. I asked if there was a moment when she wished she could have asked someone for guidance and couldn’t and she said, “Definitely. There still ARE those moments, always. In fact, I think I mentioned to Krista that should the mentorship program through WIFTV continue (which it no doubt will) I oughta apply as a mentee instead…I have ample amounts to learn still too!”
Asked who her biggest mentor was, Carly responded, “I’m not certain I’ve necessarily had a specific mentor as much as I’ve been fortunate enough to have worked with many individuals who have served as sounding boards and examples of ‘success.’ By ‘success’, I don’t mean the trivial or surface identifiers, but rather people who have been courageous, brave, unconventional, tenacious, brazen, unrelenting, POSITIVE, kind, guiding etc. Babz Chula was one. Larry Kent, another. And there, surely, are many more.” I like that Carly had said “surely” as it points to the innate mentorship we receive by being open to learning. That unnamed person who inspires you with a random act of kindness can be just as much a mentor as the person who shows you the right way to approach a specific problem.
Since Carly had worked both sides of the border, I asked if there was a difference in advice for the Canadian and U.S. markets? She replied, “I really can’t see any borders with this mentorship,” joking that “if I HAD to choose something Canadian vs. American then I suppose it would have to do with accent reduction work.” She felt that the issues she and Jax were tackling were focused on personal development and specific areas of growth and that they should apply anywhere in the world. Carly added that “I certainly have no jurisdiction on the business side of the coin, but in terms of growing our craft, what I’m aiming to shape is a toolset that can take place in a yurt, up a tree, atop the alps, or at sea.”
Jaclyn A. Smith
I asked Jax (The Invisible Mouth, Glow, Eureka) how being Carly’s mentee had helped her. She said it had been rewarding on many levels including an increased confidence in both the audition room and on set. Jax said Carly “helped me immensely with trusting myself as an artist and she has made me feel 100% supported in everything that I’m doing right now. It’s helped me to stretch further outside of my comfort zone knowing she’s there to guide and advise me.”
Asked for a nugget of info she’s gleaned from the process, Jax said “I’ve learnt to remember I am part of a team and not to hesitate to involve myself more in that team (politely requesting more time with props if needed or a discussion with the director about character, etc.)” She also realized that the process is ongoing and “it’s never ‘done’ – sometimes we get caught up, especially with auditions, in making a polished final product to ‘present’ but really there is no end to rehearsal, there is no end to digging deeper and finding out more about the life you’re taking on.”
Why did Jax want to become a mentee in the first place. “I had never heard of anything like it so I was really curious what the experience would be like,” she said. “I have mentors in other areas of the industry who have been instrumental to my growth as an artist, so I knew the power of apprenticeship. I thought that the application questions were so helpful themselves that even if I didn’t get it, it was an exercise well worth doing. The whole mentorship application process and program has helped me to clarify my goals as an actor and artist moving forward and that was a big part of what appealed to me in the beginning.” Would she want to move to the other side of the table one day and be a mentor herself? “Absolutely, 100% yes. I would love to participate as a mentor one day. I would consider that a great accomplishment.”
Rather than asking Jax the border question I had asked Carly, I took her position as an expatriate Torontonian and current Vancouverite and asked if there was a difference in the two acting scenes despite being in the same country?
“There’s an overall different energy and vibe between the cities themselves,” reflected Jax, “but as far as acting is concerned, in my opinion the basics of working on the craft, auditioning and navigating the business are all generally the same no matter where you live. It is an ever changing landscape between Toronto, Vancouver, LA and New York.”
Finally I asked Jax, a dedicated environmentalist (check out Flicking the Lights Off) if she mistakenly thought she was going to be a manatee instead of a mentee. “Were you surprised the meetings didn’t take place at the Vancouver Aquarium?” I asked.
“Sigh, yes. I showed up at the Aquarium in my wet suit and was deeply disappointed. Luckily my mentor was able to talk me through it and we got back on track. I will however be returning to the Aquarium for an acting exercise soon. I’m working on my inner penguin.”
Carly and Jax recently completed the program but another round will be starting in 2015 with the application process starting in the fall of 2014. Since the program is only offered to members of WIFTV, it will be announced via the WIFTV members e-newsletter first and later on social media. For more information on WIFTV, visit http://www.womeninfilm.ca/.
Photo credits: Krista Magnusson/Triumph St. Photography, Carly Pope/Rob Daly, Jax/Gordan Dumka
Oct 07, 2014
Digging through the mailbox unearthed two new releases from Disney: Sleeping Beauty: Diamond Edition and the Jon Hamm movie Million Dollar Arm.
1959’s Sleeping Beauty was a huge undertaking for Disney, with story work beginning in 1951 and animation running from 1953 to 1958. It was the first animated film to be shot with the Super Technirama 70 wide-screen process.
The video quality of this Diamond Edition release is a stunning 2.55:1 1080p transfer with amazing contrast , colour and clarity. The colours are rich and the black levels aren’t over-boosted. Any signs of print damage from the source material have been eliminated.
On the audio side the disc features a DTS-HD Master Audio 7.1 soundtrack. Again, the technicians went back to the source material and removed hisses and pops and remixed into the 7.1 experience with use of all channels for ambient sounds and music. The disc also features the original 4 track soundtrack as well as French DTS-HD 7.1 and Spanish, Portuguese and Russian Dolby Digital 5.1 tracks.
Sadly, the Diamond Edition is missing quite a few extras from that were on the previous Platinum edition, but it still has a good list of extras like deleted scenes, audio commentary from Leonard Maltin, Andreas Deja and John Lasseter, The Sound Of Beauty: Restoring A Classic, Picture Perfect: The Making Of Sleeping Beauty and Eyvind Earle: A Man And His Art, The Art of Evil: Generations Of Disney Villains, DisneyAnimation: Artists in Motion, Once Upon a Parade,Beauty-Oke: Once Upon A Dream.
If you don’t already have the Platinum edition, this Sleeping Beauty is a worthwhile addition to your collection.
The mailbox also contained the sports/inspirational Jon Hamm flick Million Dollar Arm, the story of a US sports agent who looks for the next baseball pitching hero on the cricket fields of India.
The film has a clean 1080p 2.39:1 aspect ratio transfer. Good skin tones, clothing textures and details. The colours are natural.
On the audio side we get an English DTS-HD Master Audio 5.1 track and French and Spanish Dolby Digital 5.1 soundtracks. Dialogue is clear and though the surround channels aren’t given an awe-inspiring workout, they are used to good effect for ambient sounds.
Extras on this disc are a collection of outtakes, an alternate ending, deleted scenes, a look at A.R. Rahman’s music, a look at the stories of the real Rinku, Dinesh, and JB, and the actors discussing their training for the roles.
If you’re into inspirational sports films, add this one to your team.
Sep 15, 2014
Looking for the new trailer for The Hunger Games: Mockingjay – Part 1? Look no further. The film opens November 21st, 2014.
Aug 01, 2014
For many years actor Michael Keaton tried to escape a role he had played twice, when he donned the cape and cowl of the crime-fighting Batman. Now in Alejandro González Iñárritu’s dark comedy Birdman he plays an actor trying to escape his superhero past and see where he fits in now.
The film opens October 17th, 2014. Check out the trailer:
May 15, 2014
Julianne Moore will be playing President Alma Coin in The Hunger Games: Mockingjay Part 1 which will hit theatres on November 21st, 2014. Julianne talks about her upcoming role in this video.
Mar 25, 2014
Delivery Man is a remake of the French-Canadian film Starbuck. It follows David Wozniak (Vince Vaughn) an underachiever who has achieved one thing: he’s fathered 533 children via his sperm bank donations and over one hundred of them have sued to learn his identity. The film traces his attempts to get to know his offspring.
This isn’t Avatar, so it’s not like we’re expecting the world from its Blu-ray transfer. Still the 1080p/AVC transfer is very sharp and you can see facial textures and other surfaces very well. Colours in some darker interior scenes do have some saturation issues.
The lossless DTS-HD 5.1 audio mix is good t delivering dialogue, but one shouldn’t expect this to be an immersive surround experience.
The extra are fairly simple. We get a 16 minute featurette where director Ken Scott and the cast (Vince Vaughn, Chris Pratt, and Cobie Smulders) talk about the film, a few minutes of Vaughn improvising, bloopers, a deleted scene and some upcoming release trailers.
If you’re building a Vince Vaughn shrine in your basement a) buy the Blu-ray for your collection and b) hold on a sec while I call the police. If you can take or leave Vaughn, then you might want to wait until you can get it at a discounted price.
Mar 19, 2014
Another trip to the mailbox and another bounty of titles from Disney.
Though John Travolta may have messed up Idina Menzel’s name – or is it Adele Dazeem’s? — fans of Frozen know her rendition of Let It Go word by word. Frozen took home two Academy Awards – Best Animated Feature and Best Song – and now you can take it home on Blu-Ray. The film follows the quest of Princess Anna (Kristin Bell) to find her snow Queen sister Elsa (Idina Menzel) after an incident plunges their kingdom into an endless winter. Joined by an ice cutter, Kristoff (Jonathan Groff) and a talking snowman (Josh Gad), Anna makes her way through a world of ice and snow in a quest that takes us back to the classic animated musicals like Beauty and the Beast. Fully rounded characters and Broadway-worthy tunes make this one a keeper.
Frozen’s 1080p video transfer obviously benefits from the fact that it’s moving from digital source to digital output. A film set in winter needs to have clean whites and dark blacks and enough detail for the littlest snowflake and the blu-ray disc delivers.
A movie musical with howling winds, soaring songs and cracking ice needs a worthy audio presentation and Frozen delivers there too with a DTS-HD Master Audio 7.1 surround track. The lower end of things adds gravitas where needed and the other channels surround you in Frozen’s world so well that you may end up watching it in a parka.
While a hot chocolate on a cold day is fine, extras like whipped cream and marshmallows make it great, so Frozen needs some great extras too. You get D’Frosted, a look at Walt Disney’s desire to make a movie about a Snow Queen; a making of clip, deleted scenes, four different versions of the award-winning Let it Go, a trailer and the delightful new Mickey Mouse short, Get a Horse!
Grab Frozen, toss a log in the fireplace and enjoy.
When Saving Mr. Banks came out in theatres, I was a little torn. The film, which tracks the story behind Walt Disney’s 20 year struggle to get P.L. Travers to give him the film rights to Mary Poppins, was full of interspersed flashbacks which I felt gave the film a jerky nature that made it feel longer than its running time. The performances were strong, especially by Emma Thompson, and if you’re a real fan of Disney history, you may want this one as part of your library.
Saving Mr. Banks 1080p transfer is free from any noticeable issues. The scenes Disney’s sunny California studios pop with sunshine and warmth which act as a contrast to the gloomier aspects of the story. The disc features a DTS-HD Master Audio 5.1 surround track with crisp, clear dialogue. The surround aspects are used to provide some ambiance, but since this isn’t one of those immerse-you-in a-strange-world experiences, it’s not something you’ll miss. As for extras, there’s From Poppins to the Present, a fifteen minute look at some aspects of the story and the history of Disney Studios, “Let’s Go Fly a Kite” a brief video of cast and crew singing the song led by Mary Poppins co-songwriter Richard Sherman and some deleted scenes. I would have appreciated some more historical looks into the film but considering the film whitewashes some of Walt’s dealings with Travers, I guess the Mouse House isn’t the place to expect to give the whole story a hard look.
The Jungle Book 2 was originally intended as a direct-to-video release but hit the theatres back in 2003. Featuring the voices of Haley Joel Osment, John Goodman and Mae Whitman, the story follows the 1967 original with a “you can take the boy out of the jungle but not the jungle out of the boy” story. Is the story as good as the first one? Not really. Will it entertain younger members of the household? Probably.
The 1080p transfer has a 1.66:1 aspect ratio, a common ratio used by Disney’s CAPS productions during a twenty year period from the early 1980s to 2000s. The transfer has good colours and the contrast looks very good. A DTS-HD Master Audio 5.1 sound mix presents dialogue and the musical numbers well. Considering its a film set in a jungle, I would have liked to have heard more use of the surround channels to place us into the environment. Extras include a look at the original film, discussions with the current cast about the legacy of their characters, some deleted scenes, music videos and sing-a-longs.
Speaking of sequels, I also took a look at Winnie the Pooh: Springtime with Roo. The movie was a direct-to-video release back in 2004 and tracks the honey-hungry bear and his pals in a bunch of Easter-themed escapades. The story is at-par with most of the direct-to-video releases and is just enough to cash in on a popular set of characters.
The 1080p transfer is pretty flawless. Animation lines are clean, colours pop like pastel Easter eggs and the whole thing is bright enough to capture the attention of young viewers. The 5.1 DTS-HD Master Audio track is crisp but doesn’t really use the surround elements for much, sticking close to the front speakers like Pooh sticks to a honey pot. A few musical extras might keep the youngest entertained.
So after emptying the mailbox, I’d have to say the Frozen will warm your heart and settle in for repeat viewings, Saving Mr. Banks is good disc of a film with some issues but a great performance by Emma Thompson, while Springtime with Roo and Jungle Book 2 are probably passes for all but those who need the most complete Disney library.
Feb 18, 2014
I was just as surprised as anyone when the awards season seemed to have skipped over the release of Vivid Video’s Farrah Superstar: Backdoor Teen Mom, in which MTV’s truth-impaired reality star, Farrah Abraham, tried to convince us that it was a private sex tape as opposed to a professionally produced porn. You know, despite leaked emails from the company and statements from co-star James Deen saying otherwise.
As we know, all private sex tapes have sequels, right? Well they do if you give Vivid’s Steve Hirsch contractual carte blanche to release the footage packaged and repackaged in as many ways as he can dream of. So now Vivid is releasing the first in what can only be a series of sequels.
They’re going to need more titles, so as a public service, here are the top five titles for Farrah Abraham’s porn video sequels:
- If You Believe This is a Private Sex Tape, Have I Got a Bridge For You
- Farrah Abraham: Vivid’s Steve Hirsch Owns My Ass
- Farrah Abraham/Joe Camel: Separated at Birth
- Backdoor Teen Mom Now, Walmart Greeter Later
- Hey, Sophia! You Proud of Momma Now?