32nd Annual Academy Awards Nominations (1960)

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  • Date of Ceremony: Monday, April 4, 1960
  • For films released in: 1959
Other years:

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Here is a complete list of nominations for the 32nd Annual Academy Awards.

And the nominees are:

Best Motion Picture

  • Anatomy of a Murder
    Otto Preminger [Producer]
  • Ben-Hur
    Sam Zimbalist [Producer]
  • The Diary of Anne Frank
    George Stevens [Producer]
  • The Nun's Story
    Henry Blanke
  • Room at the Top
    John Woolf [Producer] and James Woolf [Producer]

Best Directing

  • Ben-Hur
    William Wyler
  • The Diary of Anne Frank
    George Stevens
  • The Nun's Story
    Fred Zinnemann
  • Room at the Top
    Jack Clayton
  • Some Like It Hot
    Billy Wilder

Best Actor

  • Anatomy of a Murder
    James Stewart
  • Ben-Hur
    Charlton Heston
  • The Last Angry Man
    Paul Muni
  • Room at the Top
    Laurence Harvey
  • Some Like It Hot
    Jack Lemmon

Best Actress

  • The Nun's Story
    Audrey Hepburn
  • Pillow Talk
    Doris Day
  • Room at the Top
    Simone Signoret
  • Suddenly, Last Summer
    Katharine Hepburn
  • Suddenly, Last Summer
    Elizabeth Taylor

Best Actor in a Supporting Role

  • Anatomy of a Murder
    Arthur O'Connell
  • Anatomy of a Murder
    George C. Scott
  • Ben-Hur
    Hugh Griffith
  • The Diary of Anne Frank
    Ed Wynn
  • The Young Philadelphians
    Robert Vaughn

Best Actress in a Supporting Role

  • The Diary of Anne Frank
    Shelley Winters
  • Imitation of Life
    Sarah Kohner
  • Imitation of Life
    Juanita Moore
  • Pillow Talk
    Thelma Ritter
  • Room at the Top
    Hermione Baddeley

Best Foreign Language Film

  • Black Orpheus
  • The Bridge
  • The Great War
  • Paw
  • The Village on the River

Best Art Direction (Black-and-White)

  • Career
    Hal Pereira [Art Direction], Walter Tyler [Art Direction], Sam Comer [Set Decoration] and Arthur Krams [Set Decoration]
  • The Diary of Anne Frank
    Lyle R. Wheeler [Art Direction], George W. Davis [Art Direction], Walter M. Scott [Set Decoration] and Stuart A. Reiss [Set Decoration]
  • The Last Angry Man
    Carl Anderson [Art Direction] and William Kiernan [Set Decoration]
  • Some Like It Hot
    Ted Haworth [Art Direction] and Edward G. Boyle [Set Decoration]
  • Suddenly, Last Summer
    Oliver Messel [Art Direction], William Kellner [Art Direction] and Scot Slimon [Set Decoration]

Best Art Direction (Color)

  • Ben-Hur
    William A. Horning [Art Direction], Edward Carfagno [Art Direction] and Hugh Hunt [Set Decoration]
  • The Big Fisherman
    John DeCuir [Art Direction] and Julia Heron [Set Decoration]
  • Journey to the Center of the Earth
    Lyle R. Wheeler [Art Direction], Franz Bachelin [Art Direction], Herman A. Blumenthal [Art Direction], Walter M. Scott [Set Decoration] and Joseph Kish [Set Decoration]
  • North by Northwest
    William A. Horning [Art Direction], Robert Boyle [Art Direction], Merrill Pye [Art Direction], Henry Grace [Set Decoration] and Frank R. McKelvy [Set Decoration]
  • Pillow Talk
    Richard H. Riedel [Art Direction], Russell A. Gausman [Set Decoration] and Ruby R. Levitt [Set Decoration]

Best Cinematography (Black-and-White)

  • Anatomy of a Murder
    Sam Leavitt
  • Career
    Joseph LaShelle
  • The Diary of Anne Frank
    William C. Mellor
  • Some Like It Hot
    Charles B. Lang Jr.
  • The Young Philadelphians
    Harry Stradling Sr.

Best Cinematography (Color)

  • Ben-Hur
    Robert L. Surtees
  • The Big Fisherman
    Lee Garmes
  • The Five Pennies
    Daniel L. Fapp
  • The Nun's Story
    Franz F. Planer
  • Porgy and Bess
    Leon Shamroy

Best Costume Design (Black-and-White)

  • Career
    Edith Head
  • The Diary of Anne Frank
    Charles LeMaire and Mary Wills
  • The Gazebo
    Helen Rose
  • Some Like It Hot
    Orry-Kelly
  • The Young Philadelphians
    Howard Shoup

Best Costume Design (Color)

  • Ben-Hur
    Elizabeth Haffenden
  • The Best of Everything
    Adele Palmer
  • The Big Fisherman
    Renie
  • The Five Pennies
    Edith Head
  • Porgy and Bess
    Irene Sharaff

Best Documentary (Feature)

  • The Race for Space
    David L. Wolper
  • Serengeti Shall Not Die
    Bernhard Grzimek

Best Documentary (Short Subject)

  • Donald in Mathmagic Land
    Walt Disney
  • From Generation to Generation
    Edward F. Cullen
  • Glass
    Bert Haanstra

Best Film Editing

  • Anatomy of a Murder
    Louis R. Loeffler
  • Ben-Hur
    Ralph E. Winters and John D. Dunning
  • North by Northwest
    George Tomasini
  • The Nun's Story
    Walter Thompson
  • On the Beach
    Frederic Knudtson

Best Music (Music Score of a Dramatic or Comedy Picture)

  • Ben-Hur
    Miklos Rozsa
  • The Diary of Anne Frank
    Alfred Newman
  • The Nun's Story
    Franz Waxman
  • On the Beach
    Ernest Gold
  • Pillow Talk
    Frank DeVol

Best Music (Scoring of a Musical Picture)

  • The Five Pennies
    Leith Stevens
  • Li'l Abner
    Nelson Riddle and Joseph J. Lilley
  • Porgy and Bess
    Andre Previn and Ken Darby
  • Say One for Me
    Lionel Newman
  • Sleeping Beauty
    George Bruns

Best Music (Song)

  • The Best of Everything "The Best of Everything"
    Alfred Newman [Music by] and Sammy Cahn [Lyrics by]
  • The Five Pennies "The Five Pennies"
    Sylvia Fine [Music and Lyrics by]
  • The Hanging Tree "The Hanging Tree"
    Jerry Livingston [Music by] and Mack David [Lyrics by]
  • A Hole in the Head "High Hopes"
    James Van Heusen [Music by] and Sammy Cahn [Lyrics by]
  • The Young Land "Strange Are the Ways of Love"
    Dimitri Tiomkin [Music by] and Ned Washington [Lyrics by]

Best Short Subject (Cartoon)

  • Mexicali Shmoes
    John W. Burton
  • Moonbird
    John Hubley
  • Noah's Ark
    Walt Disney
  • The Violinist
    Ernest Pintoff

Best Short Subject (Live Action)

  • Between the Tides
    Ian Ferguson
  • The Golden Fish
    Jacques-Yves Cousteau
  • Mysteries of the Deep
    Walt Disney
  • The Running, Jumping and Standing-Still Film
    Peter Sellers
  • Skyscraper
    Shirley Clarke, Willard Van Dyke and Irving Jacoby

Best Sound

  • Ben-Hur
    Metro-Goldwyn-Mayer Studio Sound Department and Franklin E. Milton [Sound Director]
  • Journey to the Center of the Earth
    20th Century-Fox Studio Sound Department and Carl W. Faulkner [Sound Director]
  • Libel!
    Metro-Goldwyn-Mayer London Studio Sound Department and A.W. Watkins [Sound Director]
  • The Nun's Story
    Warner Bros. Studio Sound Department and George R. Groves [Sound Director]
  • Porgy and Bess
    Samuel Goldwyn Studio Sound Department, Gordon E. Sawyer [Sound Director], Todd-AO Sound Department and Fred Hynes [Sound Director]

Best Special Effects

  • Ben-Hur
    A. Arnold Gillespie [Visual Effects by], Robert MacDonald [Visual Effects by] and Milo Lory [Audible Effects by]
  • Journey to the Center of the Earth
    L.B. Abbott [Visual Effects by], James B. Gordon [Visual Effects by] and Carl W. Faulkner [Audible Effects by]

Best Writing (Screenplay - based on material from another medium)

  • Anatomy of a Murder
    Wendell Mayes
  • Ben-Hur
    Karl Tunberg
  • The Nun's Story
    Robert Anderson
  • Room at the Top
    Neil Paterson
  • Some Like It Hot
    Billy Wilder and I.A.L. Diamond

Best Writing (Story and Screenplay - written directly for the screen)

  • The 400 Blows
    Francois Truffaut and Marcel Moussy
  • North by Northwest
    Ernest Lehman
  • Operation Petticoat
    Paul King [Story by], Joseph Stone [Story by], Stanley Shapiro [Screenplay by] and Maurice Richlin [Screenplay by]
  • Pillow Talk
    Russell Rouse [Story by], Clarence Greene [Story by], Stanley Shapiro [Screenplay by] and Maurice Richlin [Screenplay by]
  • Wild Strawberries
    Ingmar Bergman
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